Matthew Bourne’s different way of thinking has yet again spawned an amazing take on one of the world’s favourite ballets. The legend, who goes by the name of Matthew Bourne, has formed something else: a new type of dance combining two into an irresistible umami of dance fusion.
His brilliance shines throughout the whole performance, as he puts his own unique twist on every step, producing moments of humour, sadness and pure joy.
But it’s not entirely straightforward. At times he goes too far, blurring the boundaries of reality and fantasy too much leaving the audience confused.
Furthermore, a side of Bourne that wasn’t expected is shown through the projection. A lazy side. One that can’t make it obvious in the performance what is happening or think of a more creative way to do so, instead opting to project onto the curtain.
However, he redeems himself with the cliff hanger that is the interval. A bite from a fairy is the last image the audience is left with before the curtain goes down. Making us wonder for a full 20 minutes: is that fairy bad or good?
Well played Bourne, well played.
By Tiger Clothier, Block 4
Block 4 Dance trip to Sleeping Beauty, Woking Theatre, 4th February